Tag: tutorial

The heart of the effect involves the very clever idea of using the topographic layer as a subtle opacity mask to simulate mist, fog and atmospheric haze. Have a look at the image below taken on March 17th, 2005 by NASA’s Terra satellite. This is the industrialised Po valley of northern Italy, surrounded by the Alps and Apennine Mountains that rise above the valley’s hazy pollution. The haze adds a sense of depth to the surrounding hills and mountains. It’s not uncommon to see fog and pollution in satellite imagery that gives way to the clear air in high mountains e.g. northern India and Nepal, China, Pakistan and India. Creating a similar mist effect in QGIS is actually quite simple.

First download topography for the Alps and Po region (a 68.55 Mb GeoTiff file derived from freely available EU-DEM data I resampled from 25 to 100m resolution). Next, make sure you have the plugin QuickMapServics (QMS) installed (menu Plugins – Manage and Install Plugins). This great plugin provides access to over 1000 basemaps.

Load the GeoTiff file into QGIS (Raster – Load) and rename the layer Hillshade. Right click the layer to open the Layer Properties window. In the Symbology panel, next to Render Type, choose Hillshade. Change the altitude to 35 degrees, Azimuth to 300 degrees and Z Factor of 1.5 (illuminating the landscape from the top left). Finally, change the Blending mode to Multiply. Click OK to close the dialogue.

To add the basemap layer, Esri World Imagery (Clarity), type “ESRI clarity” in the QMS search bar to find and add the basemap; Go to View – Panels and activate the QMS search bar if it isn’t initially visible. Make sure it’s the bottommost layer.

Oh, that’s a bit disappointing, we only increased the relief little a bit. It’s missing the vitally important mist layer.

To create mist, right click the Hillshade layer and choose Duplicate. Rename the new layer Mist and make sure it’s above the Hillshade layer. Now open the Layer Properties window of the layer, we’re going edit it’s attributes to make it look like mist.

Change the Render type to Singleband Pseudocolor and use 0 and 3000 for the min and max values (limiting maximum latitude of the mist to 3000 meters). Then open the colour ramp window by clicking on the Color ramp and enter these values:

• Left Gradient – HSV 215 15 50 and 75% transparency
• Right Gradient – HSV 215 15 50 and 0% transparency

Close the Color Ramp dialogue. In the Layer Properties window, and this is very important, change the Blending mode to Lighten. Click OK to close the Layer Properties window.

Wow, we have mist!

(View Full Size)

The mist effect looks great. It certainly adds a lot of realism to the topographic map, it now looks quite like NASA’s images. This is just a quick and basic map so there’s lots of scope to improve the effect. Play around with the colour of the mist layer and its opacity, or even brighten the Hillshade layer underneath. See what effects these changes have.

Here’s another example below. In this example I duplicated the hillshade layer and set the second hillshade layer to Multidirectional Hillshading (yes, QGIS 3.2 has Multidirectional Hillshading). I then adjusted the transparency of both hillshade layers so they blended together nicely. I then replaced the basemap with another duplicated topography layer that I coloured using the gradient sd-a (by Jim Mossman, 2005) using the cpt-city plugin. And lastly, I doubled the opacity of the mist layer turning it into a milky fog. I think it looks great!

(View Full Size)

What next? Well, there’s lots of possibilities. Perhaps download Martian topography and add mist to the bottom of Valles Marineris?

References:

Eduard Imhof – Biography

TV documentary about Eduard Imhof

The Map as an Artistic Territory: Relief Shading Works and Studies by Eduard Imhof

Haze in northern Italy – NASA Terra Satellite

You may have seen my earlier tutorial where I described how to make nice looking hillshaded maps in QGIS using SRTM elevation data. Well, we don’t have to stop with just one hillshade layer on a map, it is possible to overlay multiple hillshades; a procedure that can increase the visual quality and detail. The following image is the hillshade we made before. Once you re-create a hillshade, following the previous tutorial, you can head to the next step (note that brightness and contrast settings may be different due to changes in how QGIS generates and displays hillshades).

We can improve the SRTM hillshade further by adding ESRI’s World Hillshade layer, which uses multi-directional illumination (also called a Swiss Hillshade in tribute to the celebrated Swiss cartographer Eduard Imhof). In addition, World Hillshade has a much higher resolution than SRTM 30m data in some regions of the world, it is 2m for most of the England and Wales, 10m for most of the US, 5m for Spain and 3m for Holland etc. The only drawback is that the style of this layer is somewhat controversial, some love it, some hate it, it looks like it’s illuminated from above, but mixing it with the SRTM hillshade obviates some of it criticised flaws.

To add the World Hillshade layer in QGIS go to the Layer Menu – Add Layer – Add ArcGIS MapServer Layer – click New and add the following URL:

https://services.arcgisonline.com/arcgis/rest/services/Elevation/World_Hillshade/MapServer

Notice QGIS 2.18 no longer needs a plugin to add ESRI layers, it new has this functionality built in. Also, open the url in a browser such as Firefox, it brings up a webpage that describes the layer. We also see links to other other layers. Yes, they can all be added to QGIS by simply taking the URL of the webpage that describe the layer and connecting to it via the ArcGIS MapServer Layer connector.

Name the layer World Hillshade and click Connect, then click and highlight the layer it connects to. Finally, click the Add button to add the layer to the canvas.

Next, we need to adjust the properties of the World Hillshade layer to properly overlay it above the SRTM hillshade layer. Make sure the World hillshade layer is the topmost layer. In the Layers Panel, right click Layer properties and in the window that opens up, click Style (if not visible). Next, change the Layer Blending mode (under color rendering) to Overlay. Adjust the layer’s brightness to around -20 and leave contrast at 0. If you find the scene is still too dark, brighten the SRTM Hillshade by increasing the layer’s brightness. You may also have to change (lower) the Min value of the Min – Max value boxes. Leave the contrast at 0 for the SRTM hillshade. Also, don’t brighten it too much as it might become washed out, loose detail, especially in bright areas. Play around the controls, settings may vary depending on the SRTM data you download and the version of QGIS you use.

Here’s a comparison in Ireland, a ring like structure of hills with a central peak. No, it’s not a meteorite crater. It’s a different kind of geological marvel, the Slieve Gullion Complex and its ring dyke; the deeply eroded remains of a 410 million year old Caledonian volcano. The SRTM hillshade is on the left and World Hillshade + SRTM hillshade is on the right (click on the image, it’s best appreciated full size):

We can see the World Hillshade + SRTM Hillshade layer shows much finer detail. We see a parallel array of roughly north-south orientated lines, these are fractures and faults that cut the Slieve Gullion Complex that were perhaps enhanced by glacial erosion. Also, look carefully, there seems to be some roads meandering across the landscape (hint, bottom of the map and right of the scale bar). You should get even better results with higher resolution World Hillshade data. We also notice that bending SRTM derived hillshade with World Hillshade adds a naturalistic illumination not apparent in multi-directional hillshading. So we have the best of both worlds, a high resolution hillshade and realistic looking illumination.

Hope you found this tutorial helpful.

References:

Baxter, S., 2008. A Geological Field Guide to Cooley Gullion, Mourne & Slieve Croob [pdf]. Geological Survey of Ireland, Dublin. p. 43-53.